Upcoming Exhibits

Indira, 7, Kathmandu, Nepal

In this revealing series of photographs, James Mollison invites us into the diverse stories of children in many different countries and circumstances. Each studio-style portrait is accompanied by a detailed study of the child’s “bedroom,” which can range from elaborate sanctuaries to the barest spaces set aside for sleep.

The photographs and their related materials convey the story of a universal childhood, full of insecurity, hope, pain, comfort, and doubt. Economic inequality, children’s rights, and how we are defined by our possessions and formed by our circumstances are some of the complex social, typological, and cultural issues that resonate in Mollison’s work.

Ezra Tucker with his artwork

Ezra Tucker, On Watch, 2022,
Acrylic on board,40 x 30 inches.
Courtesy of the artist.       
 

In this first traveling exhibition of artworks by Ezra Tucker, the untold stories of the Black experience in the history of the American West are depicted alongside monumental and dramatic paintings of North American wildlife and examples of allegory, fantasy, illustration, and narrative.

With a background in commercial illustration and design, Tucker combines his exceptional drafting skills with earth tones and warm light to give his subjects the glow of an old master’s work. Visitors will see Tucker’s hallmark ability to achieve a bold, romantic look by using a color palette and lighting that is familiar yet new.  

Phami Akha Headdress, Thailand, mid-20^th century, metal, beads, coins, cotton, ©2012 Courtesy of Hat Horizons, Photograph by Matthew Hillman

With a special focus exhibit, from the collection of Suzanne Sugg, Chinese children’s hats and other headwear from around the world.

The Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality presents 89 hats and headdresses carefully selected from a private collection of more than 1300 extraordinary pieces of headwear from all over the world.

This exhibition features headwear from 42 countries across Asia, Africa, Europe, the Middle East, and North and South America, and is a tribute to the stunning diversity of the world’s cultures. With a few exceptions, the pieces are from the mid-to-late 20th century, and many are still worn today in parts of the world for revelry, ritual, and the rhythms of everyday life. More than utilitarian objects of material culture, each hat is a unique work of art—not merely because of the skill required to make it, but also as a singular expression of creativity and cultural meaning.